We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Waiting For A Miracle

from Opposite Land by Field Day

/

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $0.99 USD  or more

     

  • Buy the Full Digital Album

about

FIELD DAY
Emerging from the shadows of being “just” an ex-Dag Nasty band, Field Day
are developing into a powerhouse in their own right.

Just a few months ago we were treated to the news that two of the core members of Dag Nasty were not just playing together again as Field Day, but were also writing new songs. Then their debut 7” dropped and exceeded all expectations. Despite the band having to postpone shows in support of the release, the initial pressing of “2.0” sold out very quickly. It remained in the charts of German distributors Core Tex for over 10 weeks, and the message spread via US distributors Revelation.

The strength of that single is that it reignited a spark and captured the spirit of the original Dag Nasty sound. The initial calling card fulfilled its promise – and the real hard work began! The pressure was on the line-up comprised of Peter Cortner on vocals, Doug Carrion on bass, Shay Mehrdad on guitars and Kevin Avery on drums to continue to deliver the goods.

Now that delivery arrives from “Opposite Land.” Within seconds of the needle hitting the groove, any doubts or fears are laid to rest as the band launch into “One Song.” You have all the hallmarks of the sounds these guys pioneered, done with a vibrancy that is relevant today. Galloping drums and a driving bassline provide the backdrop to layered guitars that offer melody and texture. Then you have Peter Cortner’s vocals, both the filling that holds it together, and the icing on the cake that really finishes it off.

There are and have been a million and one bands playing the melodic hardcore sound, but when it comes to the roots, you have to look back to names such as Dag Nasty, 7 Seconds or Bad Religion. Well, these guys were actually there, and so their influences couldn’t possibly be more genuine. In line-ups of the older generation, musicians were hopping from one band to another, and so influences came together and helped define those trailblazing sounds. The closing track on here, “Tell Me Now”, features a tribute to old peers 7 Seconds with the woah-oh intro and uplifting guitar melodies. Given that Kevin Seconds once almost became a member of Dag Nasty, perhaps this is a sly wink or a playful nod to what could have been some thirty years or so back . . .

“Stolen Words” takes me right back to Wig Out days, where melody and melancholy are intertwined, but always with that uplifting moment, beautifully summed up when Peter invites listeners to “grab my hand, we’ll reach out for tomorrow”. “Waiting for a Miracle” and “Speak the Truth” are equally powerful songs, with guitars providing drive and power, but often dropping out for dramatic effect.

Music should be moving and passionate, and this second chapter of the Field Day story has that emotion and drive by the bucketload.

For fans of: D.C. HARDCORE, DAG NASTY, DESCENDENTS, PENNYWISE, IGNITE, RISE AGAINST, BAD RELIGION, H2O, BE WELL, DON’T SLEEP, CIRCLES, PRAISE, RITES OF SPRING, EMBRACE, MARGINAL MAN

lyrics

We spoke in so many words
I don’t know, I don’t know just where it began
She said, that I better take the recommended does
I took, I took enough to kill a horse

Now I’m the one to blame
I’m the one to blame

We stopped waiting for a miracle
We stopped, we wait, we shift but so did everything
Revealed our everything, so here is everything
We won’t walk away, we won’t walk away

Outside, outside I’m waiting for a cab
We knew, we knew it would come to nothing
She said, that I better take the recommended does
I took, I took enough to kill a horse

Now I’m the one to blame
I’m the one to blame
Now I’m the one to blame
I’m the one to blame

We stopped waiting for a miracle
We stopped, we wait, we shift but so did everything
Revealed our everything, so here is everything
We won’t walk away, we won’t walk away

credits

from Opposite Land, released November 26, 2020
Produced by Doug Carrion
Mixed by Cameron Webb ( Pennywise, Ignite, Bad Religion, Motorhead )
Engineered by Patrick Burkholder - Pawnshop Studio - Van Nuys, CA.
Engineered by Sam Pinola - New Sofa Studios - Philadelphia, PA.

Peter Cortner : Vocals
Doug Carrion : Bass / Vocals
Shay Mehrdad : Guitars
Kevin Avery : Drums

license

all rights reserved

tags

about

Field Day image

Field Day Los Angeles, California

Whenever you’re creating something new chances are there will always be a bit of skepticism, especially when it comes to music fans, but sometimes that skepticism or fear can be embraced allowing for a brand new chapter of unforeseen possibilities. Welcome to the wonderful reality of FIELD DAY, who are making enormous strides and paving a unique musical path in 2021. ... more

shows

contact / help

Contact Field Day

Streaming and
Download help

Report this track or account

If you like Field Day, you may also like:

Bandcamp Daily  your guide to the world of Bandcamp

On Bandcamp Radio

Fabiana Palladino stops by to talk about her mesmeric debut LP.
listen now